Reflective Floor Studio Shoot

This light placed very close to a subject since the shaft of the umbrella is pointed in the.

Reflective floor studio shoot.

Posted by 5 years ago. When purchasing an umbrella the first thing a photographer should determine is whether they want a shoot through umbrella a reflective umbrella or both. Glass and other reflective surfaces. I have been seeing more studio images where the floor is reflective almost mirror like but with the color of the background and floor.

Umbrella lights are perhaps the most popular choice for studio photography lighting. You can minimize or even eliminate reflections by using a double overhead lighting setup for shooting small metallic products like jewelry pots and pans and cutlery. So in this article i will show you how to create a high impact image. Shoot through and reflective.

Just wondering what people are using for the effect. Finally many modern materials such as steel and glass offer great surfaces to shoot reflections from. Shoot it over black or dark papers and every image will require post. I had the best results when i placed the camera as low as possible and as far away as the studio allows.

It s difficult there s no denying but it s not impossible. As seen in the examples above these shots make both powerful and effective reflection photography. Female kick boxer laying down on black plexiglass fitness studio. The quality of light is going to be similar and the much of the differences will be due to other factors such as distance to the subject room size and reflective surfaces in the room.

Reflections are a hard to tame beast but it gets easier to control if you know the rules. Shining a light source through a shoot through umbrella results in a broader and softer light. Photographing reflective surfaces and objects is usually quite challenging and can easily turn the work of the photographer into a frustrating task. There are two types of umbrella lights used in studio photography.

Portraits floor prop studio portrait photographers sometimes place plexiglas on the floor for their models or subjects to lay on utilizing that much desired reflective property. Metal is the most challenging surface to shoot because of how highly reflective it is. I think what you don t want is a situation where the entire floor is reflective and you have a tiny green screen and the dop wants the freedom to do whatever. Reflective floor for green screen shoot.